Showing posts with label Zoe Ellis. Show all posts
Showing posts with label Zoe Ellis. Show all posts

Tuesday, September 22, 2009

The Big Gig

(Click on the photo to buy tickets.)

Singer/songwriters Vernon Bush and Errin Marie come together to debut a whole body of new music that will touch your heart and move your feet! Join them for an afternoon celebration of song!

Also featuring:
Zoe Ellis & Leah Tysse / vocals
Brian Hill / guitars
Spence Murray / bass
Ricky Carter / percussion

Sunday, October 18, 2009
4:30 PM
The Jazz School
2087 Addison Street, Berkeley, CA
Tickets: (510) 845-5373 / $18 general, $15 student
www.jazzschool.com

The Jazz School is a small-ish venue, so get your tickets early!

Thursday, September 17, 2009

Where has September gone?

Just a minute ago it was September 1st. What happened?

I actually have to thumb through my datebook to see where the damn month went.

Ah, yes. Well, there were the bi-weekly rehearsals leading up to last Sunday's Glide Ensemble concert. Those took up a lot of time. Then there were several hours of paperwork and orientations to begin my part-time job teaching hooping at the YMCA. Not to mention the hours of planning and teaching itself. There were my weekly guitar lessons and daily practice, my double-shifts at the belly dance studio, the SRO volunteer meeting to kick off the new marathon season, the last session of my writing group, and my dance classes. Oh - and my songwriting sessions with Vernon!

Those songwriting sessions have kicked into high gear now, because Vernon and I are having a show on October 18th at the Berkeley Jazz School. (Stay tuned for a fancy flier next week.) We're going to be performing mostly original songs that we've been collaborating on all summer. This will be the first time that anything I've written will be performed anywhere, so I'm very excited. Way to debut, right - with not just one original tune, but ten? Yikes!

Despite my nerves, I think it's going to be a great event. We're super pleased to have the esteemed Leah Tysse and Zoe Ellis on background vocals, as well as a stellar little band, and that makes this a show, folks. Like I said, stay tuned for a fancy flier next week, but until then, mark your calendars: Sunday, October 18th, 4:30 PM.

In other performance news, I'll be guest-singing (is that a phrase?) next Friday night at The Purple Onion. My good friend Danny Creed will be performing his stylistic sounds (as well as telling some hilarious stories), and he's graciously asked me to sing a couple of numbers. We'll be accompanied by the talented David Austin on piano, and there will also be a guest appearance by singer/songwriter Liz Clee. That's next Friday, September 25th at 8:00 PM. Call for reservations at (415) 217-8400. There is a $10 cover for this event.

Danny actually has a fancy flier for this gig, but as he is firmly of the old-school, I didn't even bother to ask if he could send me a digital copy. I'm not even going to tell you the lengths he goes to to read my blog on his Web-TV/computer-substitute-thingy. You'll just have to imagine him, leaning up against a piano, looking dapper in all black with a crisp white tie.

The Glide Ensemble's Wings of Song Concert/Live CD Recording was a big hit! We performed a slew of new tunes and the audience feedback was great. I was the only soloist who got to sing her song twice - an ambulance went wailing by during my first performance and ruined the recording, so we did it a second time! You can pre-order your copy of the new CD on Glide's website. The concert was also filmed, and I think they might be releasing a DVD as well.

If you missed this Glide event and you're anxious to catch the next one, you should join us on November 12th for Glide's annual holiday festival. This year is Cecil Williams' 45th anniversary at Glide, and we're hosting a special event at the San Francisco Opera House. From the 'Hood to the House, a benefit for Mo's Kitchen and Glide's programs, will feature Dr. Maya Angelou, the Alonzo King LINES Ballet, the San Francisco Opera Adler Fellows, the Glide Ensemble and Change Band, and various other special guests (I've heard some big names being bandied about). There will be a reception immediately following the event. Get your tickets early; this show is bound to sell out.

You can always keep an eye on my upcoming performances in the Latest News section of my website.

I hope to see you at one or more of these shows!

Wednesday, November 19, 2008

Sometimes you gotta look behind you to see how far you've come

Today was a good day. The Glide Ensemble had an afternoon gig at The Gap headquarters, where we kicked off the company's Holiday Sing-Along. This was news to most of us, and I think we surprised them by singing absolutely no holiday tunes.

Afterward we all went out to dinner to celebrate a bunch of November birthdays. And then we had a short rehearsal, which was probably for the best, since we were all overstuffed with Indian food and giving off waves of curry.

Leah gave me a ride home. She seemed rather down and I asked her what was wrong.

"Oh, I'm just having a bad day," she said. "Well, I guess I'm kind of having a bad month."

"What's going on?" I asked.

She sighed. "I'm just going through one of those phases where I feel like I have no business being a singer. Everything sounds like crap. November is such a weird month, gigs are slow. I don't know what I'm doing." She merged onto the highway. "I should just go work at the animal shelter."

Now, this is Leah. Leah who was awarded the Best R&B Blues Song of 2007 by the Billboard World Song Contest. Leah who's working on her second album. Leah who headlines her own band and gigs with several others. Leah, the inspiration for me to follow my own dream of becoming a singer.

Leah, who was now saying, "I suck."

I gave a disbelieving laugh. "You do not suck," I told her.

"I do," she insisted. "I listen to my tracks in the studio and I think: 'This sucks'." She paused. "I guess we all have days like that though."

Huh. Do we ever. I spent the last two days sorting through audio and video clips for my upcoming website. I can't find any that I like. Every time I hear my own voice I wince - all I hear are my mistakes. My vibrato is out of control. My performance is inconsistent. As a matter of fact, just last night I was comparing one of my songs to one of Leah's and marveling at her vocal composure. She always delivers a strong, solid performance. But my voice is sort of all over the place. And it had me feeling kind of down. I wondered: Am I really good enough to sing for a living?

I said, "Leah, don't you know that you're the person I'm trying to be?"

"You don't want to be me!" she said. "You want to be you!"

"All right," I conceded, "I want to be my version of you. I mean, you're doing it. You're working on your second album. You gig all the time. You're making a living. Didn't you tell me not too long ago that you're the happiest you've ever been?"

"Well, yeah," she said. "My life is pretty good."

"See?" I said. "You're a happy, working musician. That's success in my book. That's the place I'm trying to get to."

What I was trying to impress upon her, and I fear I didn't quite get my point across, is that to me, she is the embodiment of a dream made attainable. Since I was a kid I've had visions of being a singer. They were big dreams, stadium dreams, and they scared me away because I didn't think I could possibly fulfill them. But then I met Leah, and other people like Vernon, Zoe, Martin and Emma Jean, real people - my friends! - who are actually making a living with their voices. And suddenly the dream didn't seem so out of reach. They gave me the courage to pursue it.

We probably do all have days when we feel like we suck. I'm glad I'm not alone in that feeling, to be honest. But what always surprises me is that even on my lousiest day, I find somebody to be my champion. I can have a dismal performance and somebody will tell me with shining eyes, "That was beautiful."

And though I may secretly be thinking, 'This person is tone deaf,' I will smile and thank them. Because what I'm learning is that I can't always be trusted to gauge my own progress. And what I bring to the song is only half of the experience - the other half is what the listener brings.

Listening to my friend Leah makes me feel inspired. Even on an off day she blows me away.